The 2009 VMAs: The Occult Mega-Ritual

Source By Vigilantcitizen

From unexpected drama to shocking performances, MTVâ??s 2009 Video Music Awards managed once again to raise eyebrows and get people talking. What most people missed, however,  were the occult meanings encoded in the VMAs. The TV event was in fact a large scale occult ceremony, complete with an initiation, a prayer and even a blood sacrifice. Weâ??ll look at the symbolism that appeared during the show.

MTVâ??s Video Music Awards have often incorporated dark and strange acts, containing some occult symbolism. This yearâ??s version, however, outdid itself. The show left most people wondering what was wrong with Kanye West or trying compute the madness of Lady Gagaâ??s performance. The only way to understand the full meaning behind those performances is to look into esoteric teachings. The fact is that the whole awards show took the most common rituals of occult orders and re-enacted them in a show witnessed by the entire world.

This yearâ??s VMAâ??s were very different from other awards shows. They focused on a very limited number of artists (Beyonce, Taylor Swift, Lady Gaga), while ignoring many others who were equally successful. The â??chosenâ? artists became characters in the VMAâ??s ceremony and acted out different ritual dramas. This might sound totally crazy to the average MTV viewer but those acquainted with the practices of occult orders (such as Freemasonry) can decode the references to sacred rituals.  There are numerous types of fraternities and rituals, from the most noble to the most infernal, and they have existed throughout History. The VMAs were decisively inspired by dark, sinister and even Satanic ceremonies.  Letâ??s look at those rituals.

The High Priestessâ?? Words of Wisdom

Madonnaâ??s sermon

Madonna, the music industryâ??s High Priestess, the revered â??elderâ? of MTV, opens the show with a very solemn eulogy for Michael Jackson. She admitted never really knowing or â??connectingâ? with him, but she was still chosen to pay him tribute. Madonna is a well known and publicized adept of the Kaballah, the esoteric school of Judaism which is studied in most occult orders.  Rabbi Ariel Bar Tzadok explained how she uses (or abuses) Kaballah symbolism in her music:

â??I discovered that Madonnaâ??s famous dabbling with sacred Jewish mysticism has taken an interesting turn. In her latest music video for the theme song of a new James Bond movie, the â??material girlâ? of old is transforming herself into a â??Kabbalah girl.â? Aside from the traditional Madonna blend of music and sensuality, in this video we see Madonna has a Holy Name of G-d tattooed onto her right shoulder. Tattooing, mind you, is a practice forbidden under Torah Law, all the more so abhorred by the Kabbalah. Granted the tattoo may not be real or only temporary but nonetheless, any expression of performing a forbidden act is itself forbidden and inexcusable. Unfortunately, Madonnaâ??s abuse of Kabbalah and traditional Torah Judaism does not stop here.

Later in the video we see Madonna winding leather straps around her left arm in the exact same format and style as holy tefillin are worn by religious Jewish men. Tefillin consist of a small leather box containing scared parchments. These are then strapped to oneâ??s left biceps, and the strap is wound down the left arm and around the hand. Granted Madonna did not go so far as to defame the tefillin boxes themselves. Yet, it is quite clear that the wrapping of the straps around her arm is done in orthodox Torah style. This act of hers is pure sacrilege.â?

-Rabbi Ariel Bar Tzadok, Madonnaâ??s Kabbalah â?? Not Kosher http://www.koshertorah.com/PDF/madonna%20kabbalah.pdf

Madonnaâ??s tribute focused on the fact that MJ was â??otherworldlyâ? and â??a kingâ? but  she insisted on the fact that he was also a human being. It was wisdom that could only be imparted by the High Priestess.  Members of the audience bowed their heads and meditated on her words. They had a deep Kabbalisitic resonance.  The speech was followed by a video tribute to Jackson, beginning oddly with â??Thrillerâ?? and displaying the face of MJ as a decaying zombie, risen from the dead, on a huge screen. We then hear Priceâ??s verse in the song saying:

â??Darkness falls across the land
The midnite hour is close at hand
Creatures crawl in search of blood
To terrorize yawls neighbourhood
And whosoever shall be found
Without the soul for getting down
Must stand and face the hounds of hell
And rot inside a corpses shell
The foulest stench is in the air
The funk of forty thousand years
And grizzy ghouls from every tomb
Are closing in to seal your doom
And though you fight to stay alive
Your body starts to shiver
For no mere mortal can resist
The evil of the thriller�

It is only fitting that MJâ??s greatest was included in his tribute, but this did seem a rather gruesome way to start a posthumous tribute. Someone, somewhere made some odd choices, but this somehow fitted the â??vibeâ? of the rest of the show.

Taylor Swiftâ??s Initiation

â??Iâ??mma let you finish!â?

Taylor Swift wins the â??Best Female Videoâ? award and goes up on stage to give her thank yous. Kanye West pops out of nowhere, taking the mic from her hand, and informs her that Beyonce has â??one of the best videos of all timeâ??. This scene has caused much controversy and has earned Kanye the title of â??Douchebag of the yearâ? plus a the honor of being called a â??jackassâ? by the President of the United States. I might shock some people by saying thisâ?¦ but this â??unexpectedâ? event wasâ?¦ STAGED! There I said it. Did you ever watch a crappy reality show and had the gut feeling that the whole thing was scripted? Well, Iâ??ve got an overload of that feeling while watching this scene. None of the people involved (not even Beyonce making her â??I canâ??t believe this is happeningâ? face) are good actors. Furthermore, Iâ??ve been following Kanyeâ??s career since his beginnings and Iâ??ve retained one important fact about him:  the only thing Kanye West cares about, is Kanye West. So if he had to throw a hissy fit about something, it would had been about him not winning. Not Beyonce. Him.

This scene is in fact Taylor Swiftâ??s initiation into what I call â??The Circle of Chosen Artistsâ?. The pupil is humiliated in front of her peers and told that she is not worthy to be on the same stage as Beyonce, the queen of the ceremony.  Almost all groups, fraternities and gangs carry out an initiation process to test the recruitâ??s character, strength and worth. Swiftâ??s ordeal was to have Kanye ruin her first award ever and to be told that she didnâ??t deserve this recognition. The rapper is known for bitching during award shows so he was the perfect candidate to make it all seem â??unexpectedâ?.

The Prayer

â??Who wants to pray to the devil with me?â?

Jack Black comes out dressed as a heavy metal guy on steroids to promote a video game. At one point he asks the audience to put their devil horns in the air and the proceeds to pray to the â??darklord Satanâ?. The whole thing is light-hearted and comical but I donâ??t see any other way a prayer to Satan can be inserted into a primetime show without getting a truckload of complaints from â??concerned parentsâ?. The scene starts off semi-funny but Jack Black finishes off on a more serious note by saying: â??I ask you to grant tonightâ??s nominees with continued success in the music industryâ??. This last phrase actually reveals a dark truth about the entertainment business.

So the net result of this scene is this: everybody threw up their â??devil hornsâ? hand sign, then took each otherâ??s hands and prayed to Satan. This piece of  pre-rehearsed comedy might have been an insignificant skit in another show. But in the context of this one, with its many recreations of occult rituals, the skit takes on a whole other, sinister meaning.Â
The Blood Sacrifice

Lady Gagaâ??s performance was hailed as â??brilliantâ? by many music fans. If you however ask them what it symbolizes,  their expression becomes questioning. Hereâ??s what Gaga said about her performance during an interview at gagadaily.com

â??Do you think it will be one of those defining moments people will remember at the VMAs?â?
â??I know it will. I sort of have this philosophy about things: thereâ??s never a reason to do something unless itâ??s going to be memorable, unless itâ??s going to change things, unless itâ??s going to inspire a movement. With the song and with the performance, I hope to say something very grave about fame and the price of it.â?

â??Something grave? What?â?
â??Youâ??ll have to see.â?

â??What are you going to wear? â??
â??I would say  that the fashion for the performance is a representation of the most stoic and memorable martyrs of fame in history. Itâ??s intended to be an iconic image that represents people. I think after watching the performance and maybe studying it after you watch it on YouTube, youâ??ll see the references and the symbols come through.â?

The setting for the performance is very symbolic. Gaga performs in a temple or maybe an  aristocratic mansion, complete with columns, chandeliers and paintings. Occult rituals, mind control experiments and even human sacrifices have  constantly been rumored to take place in those kinds of settings. One feature I cannot ignore is the presence of two massive pillars beneath an arch.

Decor of Gagaâ??s performance. Notice the two pillars and the arch above

They are unmistakable Masonic symbols, as depicted on this lithograph:

This obvious reference to Freemasonry hints to the occult and ritualistic aspect of Gagaâ??s performance. Masons are known to carry out ritual dramas in their lodges;  live re-enactments of allegorical stories. Gagaâ??s performance symbolizes her rise to fame and the sacrifice she had to make in order to succeed.

When the bloody Gaga is lifted into the air, an eerie light comes out from between the pillars and the dancers lift their arms in the air in praise. Many ancient religions carried out ritual sacrifices to please the gods. Blood sacrifices have also been viewed by black magicians as the ultimate way to collect spiritual energy. The final scene of the performance conveys the presence of this mysterious â??forceâ? after a sacrifice.

Rising star

Right after her performance, Gaga appears dressed all in red, with her face completely covered in red. She is basically a walking, talking blood sacrifice. It represents the aftermath of fame, the hellish life that follows the sacrifice, the selling of the soul for success in the music industry.

â??This if for God and the gaysâ?

Pinkâ??s Masonic Initiation

There is no way a Mason could watch this performance without recalling his initiation into the First Degree. Hereâ??s a description by Mark Stavish:

â??The candidate for initiation is stripped of all material possessions and dressed in a strange and peculiar garb (â?¦). This includes a blindfold and a length of rope called a cable tow.â?

He continues

â??The blindfold used represents secrecy, darkness and ignorance as well as trust. The candidate is led into the lodge room for initiation but is not able to see what is happening. He is bound about the waist and arm with the cable tow.â?
-Mark Stavish, Freemasonry: Rituals, Symbols and History of the Secret Society

The initiate is blindfolded and attached to a cord with the left breast and left leg exposed

Pink is blindfolded and bound with ropes. Her costume exposes her left breast, as is the case with Masonic initiates. Instead of having her left leg exposed, Pinkâ??s costume bears a diamond pattern which is very reminiscent of the floors in Masonic lodges.

Eastern Star Lodge

Pinkâ??s performance was a dizzying display of acrobatics which undoubtedly left her (and the viewers) totally disoriented. This is also a feature of Freemasonryâ??s First Degree initiation:

â??He is then blindfolded and a cord in the form of a noose is passed round his neck. At this point the novice is entering the marginal stage, associated with ordeals; he cannot see, his sense of direction has been confused and he has been dressed like a victim for execution.â?
-J.S. La Fontaine, Initiation â?? Ritual Drama and secret knowledge across the world

Pinkâ??s performance was yet another blatant reference to ritual dramas in occult orders.

Taylor Swiftâ??s Acceptance into the Order

â??Can we try this again now?â?

After Swiftâ??s public humiliation, Beyonce, the queen of the ceremony, calls her up on stage to let her â??have her momentâ?. She appears from backstage (as if awaiting her cue) in a red dress which is  strikingly similar to Beyonceâ??s. A reader of this site has noticed that, at the moment the two singers hug, a strange phrase appears on the screen behind them saying â??RDFO IL 40 PRO DEL ATOâ?. I have no idea what that means, but it was there. If you solve this enigma, be sure to post it in the comments. **Editorâ??s note** Pretty sure it means â??Ilford Delta Pro filmâ?.

Is this a computer glitch or a coded message?

Taylor Swift being called on stage represents the fact that she has now been  accepted as an equal to Beyonce and has become one of the â??chosen onesâ?. The matching dresses also convey this sense of belonging to a new group. She has â??passed the testâ? â?? the ordeal of being humiliated â?? and she can now reap the rewards of being an insider.

In Conclusion

Award ceremonies like the VMAs define and crystallize the pop culture of an era. They consecrate the chosen artists while leaving the others dwelling in the shadows of anonymity. As shown above, the whole show was heavily permeated with occult symbolism, primarily focusing on the â??initiationâ? aspect of it. Why is MTV exposing young people (who know nothing about occultism) to such rituals? Is there a subliminal effect on the viewers? Are we educating the new generation to accept these symbols as part of popular culture? There is definitely a second layer of interpretation in many of MTVâ??s products. To decode the symbols is to understand the inner-workings of the entertainment industry.

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It is a testimony to the saving power of Christ and sheer determination that today, Paul â??Bossâ? Onyango, Anthony â??Tonyâ? Mburu and Kennedy â??Kentiâ? Kimani are not only changed, but changing lives as the prolific boy-group and multi-award winning, Men Of God (MOG). The story of this trio that brought you hits like Tempted , Zing Zing and Go Let Him Go is as heart-wrenching as it is uplifting. It is a story of determination to overcome the most amazing odds to make it in life.

Growing up in the Korogocho slums, their lives were filled with criminal activities common with youth in that neighborhood. Thrust early into petty theft, street life and eventually gang-related crimes, their lives were on a stereo-typical downward spiral. That was until Tumaini Church came along.
Their love for music started to shine forth in 2001, as parts of two different groups. Two years later, they joined together and after experimenting with several names – Trouble Finishers, The Blaze, The Zoo Boys â?? finally settled on MOG. In 2004, they did their first recording with Sakata Music, for the track Dunda Na Love. They followed this up with Christ Superstars produced by Homeboyz, before doing Tempted and Zing Zing at Ogopa and Sakata respectively.

Daddy Owen(Owen Mwatia) is a Kenyan gospel musician  known for the Kapungala type of music, which he claims is a fusion of Kapuka and Lingala.

His ascent up the Gospel entertainment scene may have come rather quickly, but heâ??s been in the game for a minute, honing his mic skills and toning his spiritual muscle â?? all in readiness to serve Gospel fans a special lyrical feast.

Juliani admits to being a â??spiritual guyâ?? from his early years, having been raised in a strict Christian environment. Yet the message of Christ made no sense to him for many years, he was content to just drift through life, seeing where and how it would take him. He grew up as part of a large family, with one sister and five brothers. Born and bred in the sprawling Dandora suburbs, the spiritual home of many Kenyan hip-hop icons, including Kalamashaka and Ukoo Fulani, music effortlessly became a part of his existence.With his sleek lyrical flow and passionate delivery, he easily got absorbed into the group. Soon he started performing with them at many local gigs and clubs, especially at the renowned Florida 2000 night club and casino. In 2001 the group released the full-length album Kilio Cha Haki, and Julianiâ??s Fanya Tena was an attraction of it.

After attending Wangu Primary School, he moved on to the place where he would fall in love with the arts, Dandora Secondary School. There he started rapping after he met up with Wenyejiâ??s Robert who later introduced him to Ukoo Fulani.

In August of 2006, his chance meeting with another amazing talent initiated what might very well be a storied career in mainstream acceptance. During a school mission at Moi Forces Academy, he bumped into Astar, who was impressed enough with Julianiâ??s flow that he decided to introduce him to Kijiji Records. Astar had just completed recording his debut single Close Your Eyes; a track that was riding high on the local music charts. He made the unlikely gesture of inviting Juliani to feature on the remix to the said single â?? a touch of genius.

As far as solo material is concerned, Juliani teamed up with Gospo-Epicâ??s DJ riQ to release his very first artist mixtape, which was received fairly well on the streets. His singles have continued to capture the imagination of Gospel fans – the older Jesusnosis is still an unrivalled work of art, while his most recent jam, Mtaa Mentality has been a run-away hit, with a top-flight video to boot.

2009 saw Juliani become the first local act to get signed on a UK label. Gatwitch Records snapped him up, and soon after he released his critically acclaimed debut album, Mtaa Mentality, which features hit singles such as Biceps and Hela. The album also went on to garner two accolades at the 2009 Groove Awards – Best Hip-Hop Album (Mtaa Mentality), and Best Hip-Hop Single (Mtaa Mentality).

He is fresh, he is extraordinary and he is good, very good. Ladies and gentlemen, introducing one the newest acts in the local Gospel scene, Eko Dydda. An artiste, artist and poet, his is a world of art which he has embraced, nurtured and altered to bring a whole new meaning to the way itâ??s done.

Newbie Eko Dydda has captured the imagination of hip-hop lovers with his unique style.

Although he started tinkering with music while still in high school, it wasnâ??t until much later that he paid it any considerable attention. As one of the praise and worship leaders in church, he never thought he would become a rapper, only seeing himself singing as far as music was concerned. That was to change after he went to live with his older brother who was a Hip Hop head and budding producer.

Known for the hit collaboration with Holy Dave, Niko Na Reason, Eko is a grateful man – in fact, the song is a thanksgiving jam whose intention was to give  glory to God for His goodness. Born 23 years ago, he has seen and lived it all, growing in some of Eastlandâ??s biggest slums including Mathare, Kariobangi and Huruma. Raised in a family of three brothers and one sister, his ride to the top of the charts has been quite eventful.

Eko credits his turn to hip-hop to a somewhat intriguing story: a â??spiritualâ?? friend in his former school, Eastleigh High, kept bugging him to seek God as he insisted Eko had something more to his purpose than just singing. He once woke up in the middle of the night only to hear tunes that sounded like beats ringing in his head. He was quite frustrated for this is not what he wanted; he had hoped God would give him a crystal clear answer about his calling. In fact, he found himself bickering to God telling Him to give the beats to his aspiring producer brother. Nevertheless, he asked God to give him words and was surprised when they came out as rhyme.